Tim Kring.
This man is an utter imbecile. The first season of Heroes was genius. It took superhero conventions,and established them in a world of normality. It was show of people struggling to find out who they truly are, as we all are, but with superpowers thrown in as a bonus. It mixed the trials of life with the extraordinary to be both relatable and exciting. It was an incredible show.
But Kring had a principle, of “writing based on the idea of what happens next, and not knowing where you’re going, intrigued by the idea of writing kind of blindly towards an ending." In some cases this is not the wrong approach. The majority of shows start production before scripts are completed. However, generally the writers and producers have some idea of what is going to happen. This way they create story arcs and can use subtle prolepsis to create a universe for their show. Kring does not do this. He stumbles around.
Kring has no respect for the audience. When he is not actively insulting them, he is making absurd statments about how the new medium of TV on demand has killed serialised dramas, a suggesting which just makes no sense. He spends long periods introducing plot lines or characters before dropping them unceremoiously, with no sense of conclusion. Heroes now has no flow, each episode mangles what went before, strangling the canon, and making, quite simply, absolutly no sense as a narrative arc. We have gone from the achingly slow season two and arrived at a rocket paced mess that makes no sense. There is no continuity. Characters are, for the third time, repeatring their stories from season one, or are being forced into uncharacteristic directions for no good reason. He has now decided that a high tempo will replace good writing.
Kring has killed Heroes. He took one of the greatest shows I have ever seen, and solidly and consistently destroyed it, hacking away at everything that was once great. For this I despise the man. I hate him.
Kring originally designed the cast of Heroes to be constantly changing. He intended for a completely new cast to come around frequently, introducing new stories and new threads. Instead, the Network Executives at NBC forced Kring to keep the same cast, writing stories for characters that were never intended to have multiple story arcs, and so repetition ensued. The Writers strike did not help, lobotomising everything he was building towards with season two. But, nonetheless, he has taken one of the greatest television series I have ever seen, on a constant downward spiral. I hate you Tim Kring. You have ruined Heroes.
Russell T. Davies.
Salvation?
Russell is, at heart, a publicist. He was able to resurrect a TV show that had an unpopular public image, and create a huge buzz. He returned a TV icon to screen successfully, using some incredibly clever marketing. He used teased shots of re-imagined villains to create interest, and re-invented the nature of Saturday afternoon television. Mimicry is the highest form of flattery, and with shows like Merlin, Robin Hood and Primeval making the rounds, it is clear that Davies had been hugely successful at what he set out to do. And I have been spoiled. A few good episodes, and suddenly, I am expecting gold from a mildly distracting show written as kitsch nonsense for children at Saturday teatime. Maybe he should be forgiven. But he isn't.
